August 14, 1971 - Who's Next and Baba O'Riley

Two years after the release of "Tommy", a long gap in those days, the Who released their fifth album "Who's Next" on August 14, 1971. Pete Townshend had wanted to make another rock-opera to follow up "Tommy", but the idea fell through. They picked some of the better songs that could stand on their own and created this album, which I only have one song off of, just like their last one. The track I do have is called "Baba O'Riley" and it is a fantastic one. The lyrics sung by Roger Daltrey are about all the teenagers at Woodstock and how strung out they were, but it's the amazing skills of Townshend that make the song. He opens with an amazing organ solo and also plays the epic piano that rings in the first verse. Daltrey does most of the singing and he does a pretty good job. Townshend also plays the guitar on this song, and even sings a couple bars! Daltrey sings another verse before we hear an epic little guitar bit, with organ backing. The cool organ continues to back as we hear a guest violin solo that sounds pretty snazzy as well! Everyone speeds up to a grand finish, and this song is certainly a great one, even though I'm not a big Who fan. That's it for this month, tune in "next month" for more!

Comments

Post a Comment

Popular posts from this blog

July 24, 2001 - Avenged Sevenfold and Sounding The Seventh Trumpet

It's a double release day! On the same day as my last release another new band joins my library when Avenged Sevenfold released their debut album "Sounding The Seventh Trumpet" on July 24, 2001. But who are Avenged Sevenfold? They are a four-piece metalcore band from Huntington Beach, California consisting of Justin Sane (bass, piano), James "The Rev" Sullivan (drums, percussion), Zacky Vengeance (guitars, backing vocals) and M. Shadows (lead vocals, acoustic guitar, keyboards). Avenged play an interesting mix of heavy metalcore with screaming vocals, but also a very accesible style of metal with singing at others. Let's see what Avenged Sevenfold are all about! The album kicks off with a short intro called "To End The Rapture" and Vengeance plays a nice heavy rhythm guitar riff before coming right in with some soloing! He is just shredding it right from the get-go with some really wicked stuff and then we hear Shadows for the first time in his uni...
Read more

November 6, 2001 - As I Lay Dying and Beneath The Encasing Of Ashes

Two weeks after my last release a new band joins my library when As I Lay Dying released their debut album "Beneath The Encasing Of Ashes" on November 6, 2001. But who is As I Lay Dying? They are a four-piece metalcore band from San Diego, California consisting of lead singer Tim Lambesis, guitarist Evan White, bassist Noah Chase and drummer Jordan Mancino. As I Lay Dying are part of the budding metalcore scene and they play a very heavy style of metal and Lambesis does all screaming vocals. Let's see what AILD is all about! The album begins with the title track "Beneath The Encasing Of Ashes" and things start off with a pretty fast pace led by some heavy, chugging guitars and bass. They break things down not long after getting started and most of the song is at this slower, very brutal sounding pace. Chase's bass is super heavy, White plays some cool guitar that ranges from super low, all the way to super high, and Lambesis can hardly be understood he sound...
Read more

August 28, 2001 - Puddle Of Mudd and Come Clean

On the same day as my last release a new band briefly joins my library when Puddle of Mudd released their debut album "Come Clean" on August 28, 2001. But who is Puddle of Mudd? They are a four-piece post-grunge band from Kansas City, Missouri consisting of lead singer/guitarist Wes Scantlin, guitarist Paul Phillips, bassist Doug Ardito and drummer Greg Upchurch. I'm not a huge Puddle of Mudd fan, I only have two songs by them in my library, but they are both off this album and were both succesful singles. The first one is called "Blurry" and it's got a smooth and catchy light guitar riff that drives the song and Scantlin sings in a solid grunge-y voice overtop. They ramp nicely from the verse to the chorus and it's a nice heavy chorus with some louder guitars and a solid chorus sung by Scantlin. It's a little repetitive, but things still sound pretty smooth and solid and I think it's a good but not great song. The only other song I have is ...
Read more