A Chronological History of my Music Library

A year and a half after their last album Napalm Death released their seventh album "Inside The Torn Apart" on June 3, 1997. Napalm Death are still in the same experimental, more standard metal style as their last two albums, but the previous one was a step up, can they continue to improve? Let's find out! The album begins with "Breed To Breathe" and Shane Embury starts us off with a pretty cool bass riff before the rest of the band syncs up with him for a slightly offbeat and plenty heavy main riff that fits their new template pretty nicely. Barney Greenway sounds like his usual self overtop and unfortunately that's not the best thing in this experimental setting as he sounds fairly monotone and toned down for the most part. This a decent song still, don't get me wrong, but like a lot of their newer stuff, it's just nowhere near as exciting as their grindcore style and by the end you're ready for the next song to start, which is not a good sign. ...

Almost two months since my last release and just under a year since "Faceless", Godsmack released an acoustic EP titled "The Other Side" on March 16, 2004. This EP is largely acoustic versions of well-known Godsmack songs, but I only have two songs off of it and they are both new songs, and they were also the only singles released off the EP! The first one is called "Running Blind" and Sully Erna leads the way with a slow, smooth and solid acoustic guitar riff. Erna's grunge-y voice sounds pretty decent and fitting for this style and it's a bit like their namesake's acoustic EPs (Alice In Chains also does some great acoustic work). After a couple rounds Erna hits a couple higher notes en route to a decent little acoustic solo and this is a pretty well done song, I'm not shocked at all it was a successful single. The other original song is called "Touché" and it's driven by a faster acoustic riff that is pretty cool as Erna hol...

Happy New Year! Five weeks since my last release and 16 months since their last EP "Mimi Kajiru", Maximum the Hormone released their third EP "Kusoban" on January 21, 2004. Maximum the Hormone are still the same crazy nu-metal band they've always been, they still don't have a full-length album, but it's EP #3, here we go! The EP kicks off with "Koi No Sweet Kuso Meriken" and Nao sings the first part which makes things sound very light and pop-y, then Maximum the Ryokun takes over with his classic singing style and the heavy guitars are front and centre. They segue nicely into the first verse where Daisuke-Han sounds great screaming his head off, hitting some low and high notes! It's overtop a nice headbanging riff and Things sound pretty great! Things briefly return to the pop-y opening, which turns out to be the chorus and it's a clash of different styles that they make work pretty nicely! Obviously I like the heavy verse better, but t...

A little over a year and a half since their last album "Fear, Emptiness, Despair", Napalm Death released their sixth album "Diatribes" on January 26, 1996. Napalm Death continue the experimentation that dominated their last album as they delve deeper into this more standard, less grindcore metal style. Let's see what their latest has to offer! The album kicks off with "Greed Killing" and it's got a cool stop-and-start main riff leading the way. Things are still solidly heavy, but it's the same muted, toned down style of production as the last album which takes away from the excitement of things. Barney Greenway sounds solid shouting overtop and this song is a little repetitive, but still a solid choice for the opener. Up next is "Glimpse Into Genocide" and Danny Herrera is playing some fast and cool drums right from the get-go to back a slower main guitar riff and they work fairly well together. Greenway's vocals are very monotone...

Six days after my last release a new band joins my library when Riverside released their debut album "Out Of Myself" on December 15, 2003. But who is Riverside? They are a four-piece progressive rock/metal band from Warsaw, Poland consisting of frontman Mariusz Duda (vocals, bass, acoustic guitar), guitarist Piotr Grudzinski, keyboardist Jacek Melnicki and drummer Piotr Kozieradzki. Riverside are more rock than metal, but they can be heavy at times and they are pretty progressive and space-y most of the time with a very epic style of prog-rock. Let's see what Riverside is all about! The album kicks off with the twelve minute song "The Same River" and it begins with someone flipping through the radio (including a snippet of "Hotel California") before they settle into a space-y main riff. Melnicki plays some epic droning synths, Duda plays some pretty cool bass and Grudzinski adds some slow, epic guitar to this pretty epic and cool opening. Eventually th...

Two years since their last album "Utopia Banished", Napalm Death released their fifth album "Fear, Emptiness, Despair" on May 2, 1994. This would be Napalm Death's most experimental album so far and while there is of course still some grindcore elements, there are a lot of slower-paced (by their standards) songs and different, atypical styles for Napalm Death as these guys try to branch out a bit. I loved their return to grindcore last album so I'm not sure how I feel about experimentation, but let's listen before we judge! The album begins with "Twist The Knife (Slowly)" and immediately we're hit with a much different sound than we're used to. It reminds of the difference between Slayer's sixth album "Divine Intervention" and their following studio album "Diabolus In Musica": just like Slayer, Napalm Death have decided to slow things down a bit and (in my opinion) overproduce the music. Shane Embury's bass i...